24,401 Free Images of Colored Woodcuts

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people ho-chunk national gallery of art metropolitan museum of art woodcut print

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le torrent et la riviere (The Torrent and theRiver), Louis-Simon Lempereur, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Do You Want Any Matches?, Francis Wheatley, published 1794

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Round and Sound, Five Pence a Pound, Duke Cherries, Francis Wheatley, published 1795

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Les vautours et les pigeons (Vultures and Pigeons), Pierre Quentin Chedel, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

One Tree Hill, Greenwich Park, Thomas Rowlandson, 1802

prints in the national gallery of art (washington, d.c.)romanticism

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

Africa Agreeable to the Most Approved Maps, Thomas Conder, 1778

maps by thomas conder 1778 maps of africa

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A New Love Song Only a Ha'Penny a Piece, Francis Wheatley, published 1796

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Africa Drawn from the Latest Authorities, Thomas Kitchin, 1780

maps by thomas kitchin 1780 maps of africa

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

You people unite, Franz Wilhelm Seiwert, between 1919 and 1920

woodcuts in the national gallery of art (washington, d.c.)constructivism,figurative constructivism

Peasant with Shovel on His Shoulder, Jacques Callot, 1621

woodcuts in the national gallery of art (washington, d.c.)works after jacques callot

Bust of a Balding Man, Jan Lievens

woodcuts in the national gallery of art (washington, d.c.)prints by jan lievens

Academiegebouw te Leiden, ca. 1790 De Akademie te Leiden Vue de L'academie à Laiden (titel op object), BI-B-FM-116-31, Evert Maaskamp

18th-century prints in the rijksmuseum amsterdam colored etchings

Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90

william holland (publisher)romanticism

Grote Markt te Rotterdam, ca. 1790 Groote Markt, te Rotterdam Grand Marché et Statue d'Erasme à Rotterdam (titel op object), BI-B-FM-116-35, Evert Maaskamp

19th-century prints in the rijksmuseum amsterdam colored etchings

Rafael Barradas - Retrato 2, Rafael Barradas, circa 1924-26

collections of the museo nacional de artes visuales rafael barradas

On the River, Bertha Lum, 1913

bertha lum ukiyo-e

Slovenščina: Poljub, Jože Gorjup, 1928

1928 works in slovenia prints by jože gorjup

Ila e le ninfe (Hylas and the Nymphs), Adolfo de Carolis, 1916

italian woodcuts in the national gallery of art (washington, d.c.)renaissance

Slovenščina: Brez naslova, Jože Gorjup, 1920s

1920s works in slovenia prints by jože gorjup

Slovenščina: Vstopnica, Jože Gorjup, 1928

1928 works in slovenia prints by jože gorjup

Slovenščina: Senca, Jože Gorjup, 1928

1928 works in slovenia prints by jože gorjup

Portrait of a Man, Jože Gorjup, 1924

1924 works in slovenia prints by jože gorjup

Slovenščina: Plesni par, Jože Gorjup, 1928

1928 works in slovenia prints by jože gorjup

Slovenščina: Pesmi, Jože Gorjup, 1924

1924 works in slovenia prints by jože gorjup

Holy Family and Four Saints, Paolo Veronese, 1739

mannerism,veronese school,high renaissance,venetian school woodcuts in the national gallery of art (washington, d.c.)

EJJA Macdonald, Duke of Taranto, born November 17, 1765 in Sedan

19th-century engraved portraits at bust length of personalities of the first french empire (château de malmaison)étienne jacques joseph alexandre macdonald

Berlin, Friedrich Bernhard Werner, 1730

art works by johann christian leopold friedrich bernhard werner

Gemma pretiosa della virtuose donne, page 12 (recto), Isabella Parasole, (1625)

woodcuts by isabella parasole in the metropolitan museum of art gemma pretiosa della virtuose donne

The King of Feuereisen and His Only Daughter, from Der Weisskunig, Hans Burgkmair the Elder

der weisskunig, woodcuts by hans burgkmair prints in the metropolitan museum of art

Gemma pretiosa della virtuose donne, page 21 (recto), Isabella Parasole, (1625)

woodcuts by isabella parasole in the metropolitan museum of art gemma pretiosa della virtuose donne

Gemma pretiosa della virtuose donne, page 7 (recto), Isabella Parasole, (1625)

woodcuts by isabella parasole in the metropolitan museum of art gemma pretiosa della virtuose donne

Gemma pretiosa della virtuose donne, page 27 (recto), Isabella Parasole, (1625)

woodcuts by isabella parasole in the metropolitan museum of art gemma pretiosa della virtuose donne

Cain and Abel (fratricide), Lovis Corinth, 1919

woodcuts in the national gallery of art (washington, d.c.)expressionism,impressionism

The Feathers, Thomas Rowlandson, 1787

hand-colored aquatints romanticism

The Maiden Speech, Thomas Rowlandson, 5 October 1785

thomas cornell (artist)romanticism

Market Place at Cambridge, Thomas Rowlandson, 15 November 1801

prints by thomas rowlandson in the metropolitan museum of art romanticism

Lucas van Leyden - Albertina DG1949 485, Umkreis, Lucas van Leyden

woodcuts by lucas van leyden in the albertina woodcut series of sibyls by lucas van leyden

Lucas van Leyden - Albertina DG1949 484, Umkreis, Lucas van Leyden

woodcuts by lucas van leyden in the albertina woodcut series of sibyls by lucas van leyden

Lucas van Leyden - Albertina DG1949 482, Umkreis, Lucas van Leyden

woodcuts by lucas van leyden in the albertina woodcut series of sibyls by lucas van leyden

Lucas van Leyden - Albertina DG1949 483, Umkreis, Lucas van Leyden

woodcuts by lucas van leyden in the albertina woodcut series of sibyls by lucas van leyden

Lucas van Leyden - Albertina DG1949 481, Umkreis, Lucas van Leyden

woodcuts by lucas van leyden in the albertina woodcut series of sibyls by lucas van leyden

Het afscheid van Napoleon, 1896

napoleon i of france in art etchings by james ensor

Japon-1886-36, before 1886

hand-colored photographs of japan adolfo farsari album 01

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